Tag: Essay & Composition

  • [Solved] Humanites help

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  • [Solved] I need help d8

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    – 2 years ago **files (1)** – ## Untitleddocument72.pdf **## Untitleddocument72.pdf** Class Discussion – Week 8 Watch the brief documentary “Flowers of Rwanda: Making Peace with Genocide” (24 min.). You can find it under the “Films on Demand” section of the PSU library website. With your ODIN ID you…

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    – 2 years ago

    **files (1)**

    – ## Untitleddocument72.pdf

    **## Untitleddocument72.pdf**

    Class Discussion – Week 8

    Watch the brief documentary “Flowers of Rwanda: Making Peace with Genocide” (24
    min.). You can find it under the “Films on Demand” section of the PSU library website.
    With your ODIN ID you can access the movies. The direct link is:

    http://stats.lib.pdx.edu/proxy.php?url=https://fod.infobase.com/PortalPlaylists.aspx?wID
    =102733&xtid=40621

    Discuss the movie integrating ideas on reconciliation developed in this week’s book
    chapter by Kriesberg and the attached book chapter. Be specific in demonstrating that
    you understand the theory of the book and apply it to the specific case of the movie.
    Engage with your peers in an active discussion for full credit consideration.

    Reply
    Christina Kreitzer
    Feb 26 8:01pm
    Manage Discussion by Christina Kreitzer

    Reply from Christina Kreitzer

    Dayton and Kriesberg argue that "the nature of a struggle's consequences depends
    significantly on how the former adversaries and others interpret the way the conflict
    ended." This perspective can be applied to Flowers of Rwanda: Making Peace with
    Genocide and Rwanda's ongoing struggle to reconcile after its 1994 genocide.

    The situation is complex because while the genocide officially ended, its psychological
    and social toll continues to shape the daily life of survivors (and offenders). For many
    survivors, the absence of violence doesn't automatically translate to peace, especially
    when acknowledgement and apologies from their perpetrators remain absent or limited.
    The film shows us that this isn't a single historical event but more of a daily process that
    continues decades after the violence ends.

    A recurring theme in the film is the absence of apologies from perpetrators. For many
    survivors, an apology is not just an act of accountability – it’s a way to feel safe again
    and start to rebuild their lives. Yet, when apologies are withheld, the process of healing
    is even more difficult.

    I found it admirable that Rwanda chose a path forward based on "never again" rather
    than retaliation. Instead of using the end of genocide as justification for revenge, the
    nation’s leaders have prioritized economic stability and education as ways to prevent
    more violence. The survivor who said "having a job is peace" captured the heart of that
    shift in philosophy. Peace is also defined by the ability to rebuild, participate in society,
    and find purpose beyond just keeping yourself alive.

    [https://canvas.pdx.edu/courses/94652/users/142268](https://canvas.pdx.edu/courses/94652/users/142268)

    This approach seems to validate Dayton and Kriesberg's discussion about how
    settlements are perceived over time. When agreements are seen as fair and inclusive,
    they create better cooperation. But when they're viewed as imposed or insufficient,
    resentment tends to grow. The idea is that people aren’t easy to forgive after such awful
    acts of violence occur. Rwanda is taking some reconciliation steps like offering
    communal storytelling, an effort to transform how both victims and offenders understand
    their roles in a post-genocide world.

    Education is probably the most important tool in this healing process. By teaching
    accurate history and creating empathy, Rwanda is trying to do away with the divisive
    viewpoints that enabled genocide to begin with. This supports the authors’ argument
    that both external actors and domestic policies play important roles in making sure that
    peace agreements lead to stability. You could see they also took great care in
    preserving the historical artifacts of the genocide, which as the chapter outlines, is an
    important piece to gaining the respect and trust of those who were affected. It’s part of
    the education piece – not erasing the shameful acts of violence. Hiding the artifacts
    would be like denying the events ever occurred, making it harder for the community to
    move forward and heal.

    I was pretty moved by the story of the young orphaned boy who dreams of becoming an
    actor. Despite losing his family, he chooses hope. His hope to see Rwandans
    represented in film speaks to the power of representation in the media in reshaping the
    culture.

    Another survivor stated in the film, “It will never happen again. That I promise you.” He
    seemed so sure of his safe future. I got the sense he wasn't worried about a repeat of
    this event. Yet other survivors who were interviewed expressed fear, anger, and
    uncertainty over whether another act of violence was waiting for them. They couldn't
    start to build a new better life without getting the reconciliation act of asking for
    forgiveness. Without taking all the steps outlined in the reading, it’s like the survivors
    and offenders are trying to rush a peace process that is missing core, foundational
    aspects.

    ● Reply to post from Christina Kreitzer
    ● Reply
    ● Mark as Unread
    ● Mark as Unread

    Tiffany Greiner
    Feb 25 11:36am| Last edited Feb 25 11:37am| Last reply Feb 25 4:05pm
    Manage Discussion by Tiffany Greiner

    [https://canvas.pdx.edu/courses/94652/users/121105](https://canvas.pdx.edu/courses/94652/users/121105)

    Reply from Tiffany Greiner

    In "Flowers of Rwanda: Making Peace with Genocide," they discuss how Rwanda is
    integrating the practice of reconciliation into their society, not only from the top down but
    also from the bottom up.

    Reconciliation is a relatively new concept within the practice of conflict resolution. There
    are no set guidelines for exactly what it is, but John Paul Lederach suggests that conflict
    reconciliation “takes just as long to get out of a conflict as it has been going on”(Hauss
    2021). This can be a hindering factor in reconciliation. Kriesberg has laid out for us four
    aspects of reconciliation to achieve peaceful living.
    “Reconciliation is itself a complicated, highly contested term. Some see it as simply
    coexistence, others respect, and others mutual forgiveness” (Brahm 2003). Kriesberg
    discusses that there needs to be “first, the nature of the settlement must suit the present
    conditions of conflict. Second, means must be taken to reconcile adversaries. Third,
    constructive intervention is useful to move the parties to a better path”(Brahm 2003).

    In "Flowers of Rwanda," the people of Rwanda are following the recommendations that
    Kriesberg has put into place for reconciliation. Truth, Kriesberg says, “is coming to
    acknowledge there is some merit to the other side's interpretation of events.” Rwanda
    has openly acknowledged the horrific crimes committed in supporting and initiating a
    genocide within their own country. They are educating their young children with traveling
    movie shows, showing them the historical events of hatred that took place. By
    acknowledging these truths and teaching the population about their wrongdoings, the
    government and the people who participated in these crimes against humanity are
    labeling them as such and truth is being told. Not only from the side of the perpetrator
    but from the perspective of the victim.

    Next is justice. Kriesberg says, “gaining redress as a means of putting the past to rest.”
    Rwanda is applying justice to those who have committed horrible crimes by putting
    them on trial and sentencing them to time in prison. By the government acknowledging
    what happened was wrong and restoring justice to society, it helps lay a foundation of
    trust within communities that experienced this horrific genocide.

    Next is regard, which is “forgiveness on the part of the victims.” Individuals that
    participated in the genocide are given an opportunity to apologize to victims' families,
    giving the person who committed the crime an opportunity to ask for forgiveness.
    Individuals in the video share that neighbors are released from jail because they say
    that they are sorry. While others share that no one has addressed them on behalf of
    their family to say “I'm sorry” for committing crimes against them and their families. This

    brings me back to Lederach's point when he shared that conflicts take a long time to
    truly reconcile.

    Next is security, the expectation of peaceful existence. In the video, some people truly
    believe that by educating the youth of their nation about the horrific crimes that
    happened in the past, such crimes will never again be committed. They said they have
    addressed the underlying issues that caused the conflict, so there is no way for it to
    happen again. Talking to individuals who are victims of the conflict, some say that at this
    time they feel safe but do not know the future. This shows the lingering effects of trauma
    and the struggles of reconciliation. Though this nation is strongly trying to promote
    reconciliation from the top down and bottom up within the community, it will be an
    ongoing struggle and consistent work to bring about long-lasting peace and unify their
    nation as one people.

    – Reply from Christina Kreitzer
    – Reply from Tiffany Greiner

    **## Untitleddocument72.pdf**

    Class Discussion – Week 8

    Watch the brief documentary “Flowers of Rwanda: Making Peace with Genocide” (24
    min.). You can find it under the “Films on Demand” section of the PSU library website.
    With your ODIN ID you can access the movies. The direct link is:

    http://stats.lib.pdx.edu/proxy.php?url=https://fod.infobase.com/PortalPlaylists.aspx?wID
    =102733&xtid=40621

    Discuss the movie integrating ideas on reconciliation developed in this week’s book
    chapter by Kriesberg and the attached book chapter. Be specific in demonstrating that
    you understand the theory of the book and apply it to the specific case of the movie.
    Engage with your peers in an active discussion for full credit consideration.

    Reply
    Christina Kreitzer
    Feb 26 8:01pm
    Manage Discussion by Christina Kreitzer

    Reply from Christina Kreitzer

    Dayton and Kriesberg argue that "the nature of a struggle's consequences depends
    significantly on how the former adversaries and others interpret the way the conflict
    ended." This perspective can be applied to Flowers of Rwanda: Making Peace with
    Genocide and Rwanda's ongoing struggle to reconcile after its 1994 genocide.

    The situation is complex because while the genocide officially ended, its psychological
    and social toll continues to shape the daily life of survivors (and offenders). For many
    survivors, the absence of violence doesn't automatically translate to peace, especially
    when acknowledgement and apologies from their perpetrators remain absent or limited.
    The film shows us that this isn't a single historical event but more of a daily process that
    continues decades after the violence ends.

    A recurring theme in the film is the absence of apologies from perpetrators. For many
    survivors, an apology is not just an act of accountability – it’s a way to feel safe again
    and start to rebuild their lives. Yet, when apologies are withheld, the process of healing
    is even more difficult.

    I found it admirable that Rwanda chose a path forward based on "never again" rather
    than retaliation. Instead of using the end of genocide as justification for revenge, the
    nation’s leaders have prioritized economic stability and education as ways to prevent
    more violence. The survivor who said "having a job is peace" captured the heart of that
    shift in philosophy. Peace is also defined by the ability to rebuild, participate in society,
    and find purpose beyond just keeping yourself alive.

    [https://canvas.pdx.edu/courses/94652/users/142268](https://canvas.pdx.edu/courses/94652/users/142268)

    This approach seems to validate Dayton and Kriesberg's discussion about how
    settlements are perceived over time. When agreements are seen as fair and inclusive,
    they create better cooperation. But when they're viewed as imposed or insufficient,
    resentment tends to grow. The idea is that people aren’t easy to forgive after such awful
    acts of violence occur. Rwanda is taking some reconciliation steps like offering
    communal storytelling, an effort to transform how both victims and offenders understand
    their roles in a post-genocide world.

    Education is probably the most important tool in this healing process. By teaching
    accurate history and creating empathy, Rwanda is trying to do away with the divisive
    viewpoints that enabled genocide to begin with. This supports the authors’ argument
    that both external actors and domestic policies play important roles in making sure that
    peace agreements lead to stability. You could see they also took great care in
    preserving the historical artifacts of the genocide, which as the chapter outlines, is an
    important piece to gaining the respect and trust of those who were affected. It’s part of
    the education piece – not erasing the shameful acts of violence. Hiding the artifacts
    would be like denying the events ever occurred, making it harder for the community to
    move forward and heal.

    I was pretty moved by the story of the young orphaned boy who dreams of becoming an
    actor. Despite losing his family, he chooses hope. His hope to see Rwandans
    represented in film speaks to the power of representation in the media in reshaping the
    culture.

    Another survivor stated in the film, “It will never happen again. That I promise you.” He
    seemed so sure of his safe future. I got the sense he wasn't worried about a repeat of
    this event. Yet other survivors who were interviewed expressed fear, anger, and
    uncertainty over whether another act of violence was waiting for them. They couldn't
    start to build a new better life without getting the reconciliation act of asking for
    forgiveness. Without taking all the steps outlined in the reading, it’s like the survivors
    and offenders are trying to rush a peace process that is missing core, foundational
    aspects.

    ● Reply to post from Christina Kreitzer
    ● Reply
    ● Mark as Unread
    ● Mark as Unread

    Tiffany Greiner
    Feb 25 11:36am| Last edited Feb 25 11:37am| Last reply Feb 25 4:05pm
    Manage Discussion by Tiffany Greiner

    [https://canvas.pdx.edu/courses/94652/users/121105](https://canvas.pdx.edu/courses/94652/users/121105)

    Reply from Tiffany Greiner

    In "Flowers of Rwanda: Making Peace with Genocide," they discuss how Rwanda is
    integrating the practice of reconciliation into their society, not only from the top down but
    also from the bottom up.

    Reconciliation is a relatively new concept within the practice of conflict resolution. There
    are no set guidelines for exactly what it is, but John Paul Lederach suggests that conflict
    reconciliation “takes just as long to get out of a conflict as it has been going on”(Hauss
    2021). This can be a hindering factor in reconciliation. Kriesberg has laid out for us four
    aspects of reconciliation to achieve peaceful living.
    “Reconciliation is itself a complicated, highly contested term. Some see it as simply
    coexistence, others respect, and others mutual forgiveness” (Brahm 2003). Kriesberg
    discusses that there needs to be “first, the nature of the settlement must suit the present
    conditions of conflict. Second, means must be taken to reconcile adversaries. Third,
    constructive intervention is useful to move the parties to a better path”(Brahm 2003).

    In "Flowers of Rwanda," the people of Rwanda are following the recommendations that
    Kriesberg has put into place for reconciliation. Truth, Kriesberg says, “is coming to
    acknowledge there is some merit to the other side's interpretation of events.” Rwanda
    has openly acknowledged the horrific crimes committed in supporting and initiating a
    genocide within their own country. They are educating their young children with traveling
    movie shows, showing them the historical events of hatred that took place. By
    acknowledging these truths and teaching the population about their wrongdoings, the
    government and the people who participated in these crimes against humanity are
    labeling them as such and truth is being told. Not only from the side of the perpetrator
    but from the perspective of the victim.

    Next is justice. Kriesberg says, “gaining redress as a means of putting the past to rest.”
    Rwanda is applying justice to those who have committed horrible crimes by putting
    them on trial and sentencing them to time in prison. By the government acknowledging
    what happened was wrong and restoring justice to society, it helps lay a foundation of
    trust within communities that experienced this horrific genocide.

    Next is regard, which is “forgiveness on the part of the victims.” Individuals that
    participated in the genocide are given an opportunity to apologize to victims' families,
    giving the person who committed the crime an opportunity to ask for forgiveness.
    Individuals in the video share that neighbors are released from jail because they say
    that they are sorry. While others share that no one has addressed them on behalf of
    their family to say “I'm sorry” for committing crimes against them and their families. This

    brings me back to Lederach's point when he shared that conflicts take a long time to
    truly reconcile.

    Next is security, the expectation of peaceful existence. In the video, some people truly
    believe that by educating the youth of their nation about the horrific crimes that
    happened in the past, such crimes will never again be committed. They said they have
    addressed the underlying issues that caused the conflict, so there is no way for it to
    happen again. Talking to individuals who are victims of the conflict, some say that at this
    time they feel safe but do not know the future. This shows the lingering effects of trauma
    and the struggles of reconciliation. Though this nation is strongly trying to promote
    reconciliation from the top down and bottom up within the community, it will be an
    ongoing struggle and consistent work to bring about long-lasting peace and unify their
    nation as one people.

    – Reply from Christina Kreitzer
    – Reply from Tiffany Greiner

  • [Solved] English

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    Your writing assignment is the Case of One Tormented Child on p. 155. This case provides a thorough check on how well you understand the concepts discussed in the chapter on the Ethic of Prima Facie Duties. The tortured child case comes originally from Dostoevsky's novel, The Brothers Karamazov. It …

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    Assignment Prompt & Instructions

    Your writing assignment is the Case of One Tormented Child on p. 155. This case provides a thorough check on how well you understand the concepts discussed in the chapter on the Ethic of Prima Facie Duties.

    The tortured child case comes originally from Dostoevsky's novel, The Brothers Karamazov. It was further developed by the famed late 20th century science fiction writer Ursula K. Le Guin in an influential short story titled The Ones Who Walk Away From Omelas.

    (Answer all 4 questions and put your answers in a narrative form–do not do short answer format. You will need a minimum of 4 paragraphs to answer the questions. 750 words)

    – [\
    \
    IMG_8102.jpeg](https://www.sweetstudy.com/files/img-8102-jpeg-10209617 "IMG_8102.jpeg")

    – 2 years ago

  • [Solved] Influence and Chat

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    Could someone help the assignment attached – 2 years ago **files (1)** – ## CharacteristicsandInfluences.pdf **## CharacteristicsandInfluences.pdf** Module 3: Author's Characteristics and Influences Details Assignment Overview After reading up on Frank Miller, respond to the following questions in o…

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    Could someone help the assignment attached

    – 2 years ago

    **files (1)**

    – ## CharacteristicsandInfluences.pdf

    **## CharacteristicsandInfluences.pdf**

    Module 3: Author's Characteristics and Influences

    Details

    Assignment Overview

    After reading up on Frank Miller, respond to the following questions in one or two paragraphs. Your
    responses must reference or quote your research resource(s), and you are required to implement
    In-Text Citations and include a Works Cited page.

     What is unique about the way Miller approaches the characters he writes about?

     What are some of the factors that influence Miller's work?

    Assignment Instructions

    Follow the directions below to complete the activity:

    Step 1



    o Be sure you've reviewed the provided resources, including the article on Frank
    Miller's accomplishments and the interview with Miller discussing his influences.

    Step 2



    o Reflect on the information provided in this module and answer the assignment
    prompts in one or two paragraphs. Be sure to include references or quotes from at
    least one of the provided resources, and use In-Text Citations and an MLA formatted
    Works Cited page.

    Minimum Word Count: 200 Words

    Step 3 | Submit Your Work

    Once you have completed the activity, follow the directions below to submit your assignment.



    o Select the Start Assignment button to begin the assignment submission.

    o Locate and upload the activity from your computer, mobile device, Google Drive, or
    O ice 365.

    o Click the Submit Assignment button.

    **## CharacteristicsandInfluences.pdf**

    Module 3: Author's Characteristics and Influences

    Details

    Assignment Overview

    After reading up on Frank Miller, respond to the following questions in one or two paragraphs. Your
    responses must reference or quote your research resource(s), and you are required to implement
    In-Text Citations and include a Works Cited page.

     What is unique about the way Miller approaches the characters he writes about?

     What are some of the factors that influence Miller's work?

    Assignment Instructions

    Follow the directions below to complete the activity:

    Step 1



    o Be sure you've reviewed the provided resources, including the article on Frank
    Miller's accomplishments and the interview with Miller discussing his influences.

    Step 2



    o Reflect on the information provided in this module and answer the assignment
    prompts in one or two paragraphs. Be sure to include references or quotes from at
    least one of the provided resources, and use In-Text Citations and an MLA formatted
    Works Cited page.

    Minimum Word Count: 200 Words

    Step 3 | Submit Your Work

    Once you have completed the activity, follow the directions below to submit your assignment.



    o Select the Start Assignment button to begin the assignment submission.

    o Locate and upload the activity from your computer, mobile device, Google Drive, or
    O ice 365.

    o Click the Submit Assignment button.

  • [Solved] i need help c8

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    – 2 years ago **files (1)** – ## ConflictExercises-Week8.pdf **## ConflictExercises-Week8.pdf** Conflict Exercises – Week 8 For this week's assignment, I would like you to undertake a research task that focuses on underrepresented perspectives in conflict resolution. Given the historical dominance o…

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    Assignment Prompt & Instructions

    – 2 years ago

    **files (1)**

    – ## ConflictExercises-Week8.pdf

    **## ConflictExercises-Week8.pdf**

    Conflict Exercises –
    Week 8
    For this week's assignment, I would like you to undertake a research task that focuses
    on underrepresented perspectives in conflict resolution. Given the historical dominance
    of male, white Western narratives in this field, it is crucial to highlight the voices that are
    often marginalized, including those of women and BIPOC (Black, Indigenous, and
    People of Color). Your assignment is to locate a specific case where women's and/or
    BIPOC's perspectives are central to conflict transformation processes.

    That means a personal blog will not do, but the blog might refer to an organizational
    report. Additionally, I also want you to look closely at the source. What kind of
    organization, what kind of government entity, etc? I want you to learn to question and
    critically examine the information you gather online. Describe the case and connect it to
    the course material (also think about the Lederach book!).

    – Conflict Exercises – Week 8

    **## ConflictExercises-Week8.pdf**

    Conflict Exercises –
    Week 8
    For this week's assignment, I would like you to undertake a research task that focuses
    on underrepresented perspectives in conflict resolution. Given the historical dominance
    of male, white Western narratives in this field, it is crucial to highlight the voices that are
    often marginalized, including those of women and BIPOC (Black, Indigenous, and
    People of Color). Your assignment is to locate a specific case where women's and/or
    BIPOC's perspectives are central to conflict transformation processes.

    That means a personal blog will not do, but the blog might refer to an organizational
    report. Additionally, I also want you to look closely at the source. What kind of
    organization, what kind of government entity, etc? I want you to learn to question and
    critically examine the information you gather online. Describe the case and connect it to
    the course material (also think about the Lederach book!).

    – Conflict Exercises – Week 8

  • [Solved] English homework

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    need help better understanding this assignment – 2 years ago

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    Assignment Prompt & Instructions

    need help better understanding this assignment

    – 2 years ago

  • [Solved] writing

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    – [\ \ 2025-02-2710.04.50.png](https://www.sweetstudy.com/files/2025-02-2710-04-50-png "2025-02-2710.04.50.png") – 2 years ago

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    Assignment Prompt & Instructions

    – [\
    \
    2025-02-2710.04.50.png](https://www.sweetstudy.com/files/2025-02-2710-04-50-png "2025-02-2710.04.50.png")

    – 2 years ago

  • [Solved] English Homework

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    Gain knowledge on emerging risk management frameworks along with tools, techniques and approaches **Discussion Prompt:** 1. Several elements are required of successful ERM systems. Take a look at this video on [Enterprise Risk Management](https://www.youtube.com/watch?v=QgyiRWcZYS4), which offers an…

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    Assignment Prompt & Instructions

    Gain knowledge on emerging risk management frameworks along with tools, techniques and approaches

    **Discussion Prompt:**

    1. Several elements are required of successful ERM systems. Take a look at this video on [Enterprise Risk Management](https://www.youtube.com/watch?v=QgyiRWcZYS4), which offers an overview of ERM.Section five details some requirements of successful ERM’s. Choose and summarize two of these elements. Could one of these be more important than another?
    2. Ch. 10 offers examples of probabilistic modeling. How does scenario planning at DuPont offer an example of a company becoming outward looking in managing supply chain risk?

    – 2 years ago

  • [Solved] English Homework

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    Supplier selection is among the most critical in managing supply chains. Our discussion will guide us in developing tools which monitor the financial health of a supplier. Our text discusses the Z score in Chap 6. What does the Z score do? Please conduct some Internet research and support your comme…

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    Supplier selection is among the most critical in managing supply chains. Our discussion will guide us in developing tools which monitor the financial health of a supplier. Our text discusses the Z score in Chap 6. What does the Z score do? Please conduct some Internet research and support your comments with a brief overview of supplier bankruptcies in the news. Were there red flags that were not seen before a supplier went out of business?

    – 2 years ago

  • [Solved] art

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    due to day Pick one of the perspectives listed below. Using the art resources listed below, select an artwork and interpret its meaning in the context of one of the six critical perspectives we studied in this unit. Try to uncover the meaning in the image you choose, then explain how your particular…

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    Assignment Prompt & Instructions

    due to day

    Pick one of the perspectives listed below. Using the art resources listed below, select an artwork and interpret its meaning in the context of one of the six critical perspectives we studied in this unit. Try to uncover the meaning in the image you choose, then explain how your particular critical perspective supports your interpretation.

    This assignment will take some focus and structure. Review the major ideas behind your critical perspective first; then you can begin the search for an image that you think fits the critical test. From there you can begin your explanations.

    Perspectives

    – Structural

    – Feminist

    – Ideological

    – Deconstructive

    – Formalist

    – Psychoanalytic

    Art Resources

    – [ART 21Links to an external site.](http://www.pbs.org/art21/index.html): Includes interviews with major contemporary artists, studio visits and explanations of their work

    – [Google ImagesLinks to an external site.](http://www.google.com/imghp): A comprehensive search engine for images

    – [ArtcyclopediaLinks to an external site.](http://www.artcyclopedia.com/): Good general art site, mostly image links to museums:

    – [Mark Hardin's ArtchiveLinks to an external site.](http://artchive.com/ftp_site.htm): Great link with alphabetical listing of artists, mostly contemporary and historical European

    – [Art History LinksLinks to an external site.](http://witcombe.sbc.edu/ARTHLinks.html): An amazing collection of links specific to sites related to the practice of art history, many are written, not visual, information

    – [Cities and Buildings CollectionLinks to an external site.](http://content.lib.washington.edu/cities/): Over 5000 architectural images maintained by the architecture department at the University of Washington

    – [Web Gallery of ArtLinks to an external site.](http://www.wga.hu/index.html): Good reference for lots of art history images

    – [Saatchi Gallery, LondonLinks to an external site.](http://www.saatchi-gallery.co.uk/): Cutting edge contemporary art, plus a site where any artist can post their work

    – [The National Gallery of Art, Washington, DCLinks to an external site.](http://www.nga.gov/): Our national art museum

    – [Seattle Art MuseumLinks to an external site.](http://www.seattleartmuseum.org/)

    – [Museum of Modern Art New YorkLinks to an external site.](http://www.moma.org/collection/): A treasure trove of modern art

    – [Metropolitan Museum of ArtLinks to an external site.](http://www.metmuseum.org/): Extensive collection database from many cultures and time periods

    – [Islamic art collectionLinks to an external site.](http://www.lacma.org/islamic_art/ian.htm): An extensive collection of Islamic art from the Los Angeles County Museum of Art

    – [Museum of Fine Arts, BostonLinks to an external site.](http://www.mfa.org/tours/package.asp?id=48602): An extensive digital collection with text information

    – [Currier Museum of ArtLinks to an external site.](http://www.currier.org/): A smaller museum in Manchester, NH with a fantastic collection, much of it online

    – [Henry Art GalleryLinks to an external site.](http://henryartcollections.org/main.php?module=objects): The art repository of the University of Washington. An extensive image database and excellent search system

    – [National Galleries of ScotlandLinks to an external site.](http://www.nationalgalleries.org/index.php/collection/online_az/4:322/results/0/597/): Extensive collection of artwork from many cultures and

    – time periods

    – [ARTstorLinks to an external site.](http://ezproxy.everettcc.edu/login?url=http://www.artstor.org/): Nearly one million images here. For access to this site, please check with your campus library or public library

    – [CAMIOLinks to an external site.](http://ezproxy.everettcc.edu/login?url=http://camio.oclc.org/): 95,000 images of all kinds. For access to this site, please check with your campus or public library

    – [SmarthistoryLinks to an external site.](http://www.smarthistory.org/): Smarthistory.org is a free and open, not-for-profit, art history textbook. We use multimedia to deliver unscripted conversations between art historians about the history of art

    – [Tibetan Book of the DeadLinks to an external site.](http://explore.lib.virginia.edu/exhibits/show/dead): Literature and Artwork on Prayer, Ritual, and Meditation from the Religious Traditions of Tibet, India and Nepal. Special Collections Department at the University of Virginia Library

    – [Day of the Dead CelebrationLinks to an external site.](http://www.inside-mexico.com/featuredead.htm): History and images from the Mexican “Dia de los Muertos” celebration.

    – [Frank Gehry sketchesLinks to an external site.](http://www.arcspace.com/studio/gehry/index.html): Initial sketches of building design ideas by architect Frank Gehry

    – [African Art: Death and RebirthLinks to an external site.](http://www.uiowa.edu/~africart/toc/chapters/kml/KMG1.html): Sculpture images and text describing ritual beliefs from African cultures. Other themes included

    – [Burke MuseumLinks to an external site.](http://www.washington.edu/burkemuseum/collections/ethnology/index.php): Artwork database from their ethnology collections. Administered through the University of Washington

    – [All Together NowLinks to an external site.](http://www.inbflat.net/): A digital collaborative and interactive music project

    – [AIDS Quilt Information WebsiteLinks to an external site.](http://www.aidsquilt.org/about.htm)

    – [What is a Print?Links to an external site.](http://www.moma.org/interactives/projects/2001/whatisaprint/flash.html): Interactive tutorial on printmaking processes, with images. Created by the Museum of Modern Art, New York

    – [Edvard Munch MuseumLinks to an external site.](http://www.munch.museum.no/work.aspx?id=17): Image database for many of Munch’s paintings and prints

    – [Nuxalk Sun MaskLinks to an external site.](http://www.ufobc.ca/Supernatural/NativeLegends/mask.htm): Image and context for the _Mask of the Sun_ from British Columbia Nuxalkculture

    – [Bradshaw FoundationLinks to an external site.](http://www.bradshawfoundation.com/lascaux/index.php): Excellent source for images and information on prehistoric rock art, Cycladic figures, the Pyramids, ancient temples and geometric signs

    – [The Art StoryLinks to an external site.](http://www.theartstory.org/index.html): Movements, Artists, Theory and the Progression of Art History

    – [Francis Bacon EstateLinks to an external site.](http://www.francis-bacon.com/): A website devoted to the images and explanations of the important and idiosyncratic English painter

    – [Mayan TemplesLinks to an external site.](http://learningobjects.wesleyan.edu/palenque/): An excellent site for historical information about the Temples of Palenque in Mexico

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    ArtResources.docx](https://www.sweetstudy.com/files/artresources-docx "ArtResources.docx")

    – 2 years ago